The only reason I put together the unusual edition is because of the first track “Strange Overtones”. I’ve been repeating that religiously since I heard it earlier this weekend. I haven’t had a track get such heavy play since “Weird Fishes”. Other highlights include Victor Wooten’s sick bass solo around the 2-minute mark in “Oddity,” and Paul Desmond’s saxophone work in “Strange Meadow Lark,” which has some unusual 10-bar phrases.
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[…] not as thrilled with this one as I was with the unusual editon last week, but it’ll do. You might recognize the opener from the 28 Days Later soundtrack. […]
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